Q'd Up
00:00:00

Studio session

Record with John, in a real room.

Book time in a professional studio, set up for audio or video, with an engineer running the session. Studio 1801 is home base — with a network of rooms behind it, so scheduling never blocks a recording.

A two-chair video interview set at Studio 1801 — black backdrop, key light, boom mics, and a camera on a tripod. A broadcast audio setup — two RØDE mics on booms, headphones, and a RØDECaster Duo mixer.
From $500 / half day

A session, not just a room rental.

You bring the conversation; the room, the gear, and the engineer are handled. Good for a single episode, a pilot, or testing whether a show is for you before you commit to more.

  • The room, booked and set for audio or video
  • An engineer running the session — that’s John
  • Synced files delivered within a day or two, ready to edit
  • Half-day rate, with shorter sessions available for a quick single recording

Request a session

Tell me what you’re recording and I’ll confirm the right room and rate.

John Luckenbaugh at the microphone, headphones on, running a session.

Who's in the room

The engineer is me.

I’m John. I’ve been around sound my whole life — a musician first, then a DJ from 1999 (the kind who cued records up by hand, which is where “Q’d Up” comes from), playing everything from clubs to concert halls, and a live sound engineer running broadcasts at WHP and WITF. I started Q’d Up in 2006 and took it full-time producing podcasts and video.

Video came the same way sound did — a little from the broadcast years, a little from the work itself, learned by doing it on real shoots. Over time Q’d Up grew from a recording studio into documentary and multi-camera production: lighting a set instead of a room, cutting a story to a music bed, following a four-year series through a children’s hospital. Audio was the start. Video is where it grew.

When you book a session, I’m the one in the room — setting the levels, running the board or the cameras, and making sure you walk out with something worth editing. Twenty years of handing people a microphone, and a lot of years behind a camera since, means I know how to make anyone sound — and look — like they belong there.